From the author of War Horse comes a gentle, evocative story of a young city boy’s summer in 1960s rural Provence. When Yannick learns that he is to stay with his aunt Mathilde and her family in the South of France, he cannot believe his luck. He has rarely been out of Paris, and if the paintings in his mother’s beloved Cézanne book are to be believed, surely Provence is pa...(展开全部)

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chro...(展开全部)

在经历亲人离世过后的丁玫文，好像在恢复不到从前的认真洒脱，身为法医的她遇上了带着“任务”的心理咨询师南夏，两人在警局相遇在一次次的任务中，建立亲密关系合作也越来越默契，原来丁玫文并没有表面上那么高冷坚强逐渐向南夏敞开了心扉，可在一次任务中南...

在经历亲人离世过后的丁玫文，好像在恢复不到从前的认真洒脱，身为法医的她遇上了带着“任务”的心理咨询师南夏，两人在警局相遇在一次次的任务中，建立亲密关系合作也越来越默契，原来丁玫文并没有表面上那么高冷坚强逐渐向南夏敞开了心扉，可在一次任务中南...

Meeting the Universe Halfway is an ambitious book with far-reaching implications for numerous fields in the natural sciences, social sciences, and humanities. In this volume, Karen Barad, theoretical physicist and feminist theorist, elaborates her theory of agential realism. Offering an account of the world as a whole rather than as composed of separate natural and social realm...(展开全部)

Roger Fry's classic study of the art and life of Paul Cézanne, originally published in 1927, has been acclaimed as a paradigm critical work for its clarity, perception, and originality. Himself an artist, Fry rejected prevailing modes of criticism, believing that form, not subject matter, should be the primary expressive element. Cézanne's work came closest to Fry's ideal—it ga...(展开全部)

这是一部文采斐然、生动活泼的书，对画家和学习绘画的学生而言它拥有技法方面的价值，它还为普通读者提供了一种充满真知灼见的洞察，展示了塞尚艺术不可思议的魅力。 本书中文版将于2009年由广西师范大学出版社出版。

1927. Fry, English art critic and painter and champion of modern French schools of art introduced Cezanne and the postimpressionists to England. From 1905 to 1910 he was curator of paintings at the Metropolitan Museum of Art. In 1933 he was made Slade Professor of Fine Arts at Cambridge. Interested in all eras, he consistently stressed the importance of analyzing the formal qua...(展开全部)

The meeting of Eastern and Western art is always more than a synthesis; it offers creative possibilities for interaction between East and West, a process in which the great civilizations preserve their own character while stimulating and enriching each other. In this book, Michael Sullivan leads the reader through four centuries of exciting interaction between the artists of Ch...(展开全部)